Eng­lish Li­te­ra­tu­re & Trans­la­ti­on Cour­se 2024/2025

The Af­ter­math of War, and Beyond

After six long years, in Au­gust 1945, what is known as the Se­cond World War came to an end. Lon­don, like so many other Eu­rope­an ci­ties, gra­du­al­ly awoke from a trau­ma of de­struc­tion. It is this time of dis­be­lief, re­li­ef, joy, and the da­w­ning of a new world, a new so­cial order, a new ge­ne­ra­ti­on, that is the over­ri­ding theme of this year’s cour­se. A cour­se that will in­tro­du­ce to you six for­got­ten no­vels, by six unfor­gett­a­ble wri­ters.

Your course-​leader – Phil­ip Moore

Par­ti­ci­pants are asked to read the fol­lo­wing no­vels, which will be dis­cus­sed in order:

  1. Litt­le Boy Lost by Mar­gha­ni­ta Laski
  2. Ex­cel­lent Women by Bar­ba­ra Pym
  3. In Pur­su­it of the Eng­lish by Doris Les­sing
  4. Sa­tur­day Night, Sun­day Mor­ning by Alan Sil­li­toe
  5. Bloomsbu­ry Girls by Na­ta­lie Jen­ner
  6. Hurry on Down by John Wain
Book cour­se

Books & Au­thors


Litt­le Boy Lost (1949) 

Hi­la­ry Wain­w­right, a poet and in­tel­lec­tu­al, re­turns to a war-​ravaged and im­po­ve­ris­hed France, de­ter­mi­ned to find a child who va­nis­hed five years ear­lier. The novel poses haun­ting ques­ti­ons: Is the child truly his? And even more un­sett­ling—does he ac­tual­ly want the child? These ques­ti­ons can be in­ter­pre­ted both li­te­ral­ly and me­ta­pho­ri­cal­ly, al­lo­wing the novel to re­so­na­te on mul­ti­ple le­vels. What makes this story truly com­pel­ling is its blend of nar­ra­ti­ve drive and li­te­r­a­ry fi­nes­se. It grips you with the in­ten­si­ty of a thril­ler, yet it’s craf­ted with re­mar­kab­le cla­ri­ty and pre­cisi­on.

Text: Good Reads
Image: Ama­zon

Mar­gha­ni­ta Laski

Mar­gha­ni­ta Laski (1915-1988) was born into a Je­wish in­tel­lec­tu­al fa­mi­ly, with Ha­rold Laski as her uncle. After stu­dy­ing at Ox­ford, she work­ed in fa­shion, jour­na­lism, and mar­ried pu­blisher John Ho­ward. Laski wrote six no­vels, in­clu­ding Litt­le Boy Lost and The Vic­to­ri­an Chaise-​longue, and was a noted cri­tic with works on Jane Aus­ten and Ge­or­ge Eliot. She re­gu­lar­ly ap­peared on radio shows like The Brains Trust and con­tri­bu­ted to the Ox­ford Eng­lish Dic­tio­n­a­ry. Laski lived in Hamp­stead until her death.

Text: Per­se­pho­ne
Image: Per­se­pho­ne


Exe­cllent Women (1952)

Ex­cel­lent Women is one of Bar­ba­ra Pym's ri­chest and most amusing high co­me­di­es. Mild­red Lath­bu­ry is a cler­gy­man's dau­gh­ter and a mild-​mannered spins­ter in 1950s Eng­land. She is one of those "ex­cel­lent women," the smart, sup­por­ti­ve, re­pres­sed women who men take for gran­ted. As Mild­red gets em­broi­led in the lives of her new neigh­bors - an­thro­po­lo­gist He­le­na Na­pier and her hand­so­me, dashing hus­band, Rocky, and Ju­li­an Ma­lo­ry, the vicar next door - the novel pres­ents a se­ries of snapshots of human life as ac­tual­ly, and plucki­ly, lived in a va­nis­hing world of man­ners and re­pres­sed de­si­res.

Text: Good Reads
Image: Good Reads


Bar­ba­ra Pym

Bar­ba­ra Pym was a Bri­tish wri­ter known for comic no­vels like Ex­cel­lent Women (1952). She stu­di­ed Eng­lish at Ox­ford and ser­ved in the Women's Royal Naval Ser­vice du­ring World War II. After pu­bli­shing six no­vels, her se­venth was re­jec­ted, but a 1975 Times Li­te­r­a­ry Sup­ple­ment ar­ticle re­vi­ved her ca­reer. This led to her come­back with Quar­tet in Au­tumn, which was no­mi­na­ted for the Boo­ker Prize. Pym work­ed at the In­ter­na­tio­nal Afri­can In­sti­tu­te and later lived in Ox­ford­shire with her sis­ter. Se­ve­r­al of her works were pu­blished post­hu­mously.

Text: Good Reads
Image: Fi­nan­cial Times


In Pur­su­it of the Eng­lish (1960)

In Pur­su­it of the Eng­lish by Doris Les­sing por­trays life in a working-​class Lon­don roo­ming house, fea­turing live­ly and fla­wed cha­rac­ters such as Bobby Brent, a con man, Mrs. Skef­fing­ton, an ab­u­si­ve mo­ther, and Miss Priest, a dis­il­lu­sio­ned pro­sti­tu­te. Through an un­sen­ti­men­tal lens, Les­sing com­bi­nes me­moir with bi­ting humor and cul­tu­ral cri­tique, of­fe­ring a bru­tal­ly ho­nest yet en­ga­ging de­pic­tion of human na­tu­re and Lon­don life. The nar­ra­ti­ve blends far­ci­cal ele­ments with deep in­sight, crea­ting a vivid ex­plo­ra­ti­on of so­cial and in­di­vi­du­al com­ple­xi­ties.

Text: Hu­gen­du­bel
Image: Ama­zon


Doris Les­sing

Doris May Les­sing (1919–2013) was a Bri­tish no­ve­list born in Iran to Bri­tish pa­rents and rai­sed in Southern Rho­de­sia (now Zim­bab­we). She moved to Lon­don in 1949 and gained pro­mi­nence with works like The Grass Is Sin­ging (1950), In Pur­su­it of the Eng­lish (1960), The Gol­den Note­book (1962), and the Ca­no­pus in Argos se­ries. Les­sing won the 2007 Nobel Prize in Li­te­ra­tu­re, re­co­gni­zed for her por­tray­al of the fe­ma­le ex­pe­ri­ence and cri­ti­cal ex­ami­na­ti­on of ci­vi­liza­ti­on. She also re­cei­ved the David Cohen Prize in 2001, and in 2008, The Times ran­ked her among the grea­test Bri­tish wri­ters since 1945.

Text: Wi­ki­pe­dia
Image: Good Reads


Sa­tur­day Night, Sun­day Mor­ning  (1951)

Sa­tur­day Night and Sun­day Mor­ning (1951) by Alan Sil­li­toe fol­lows Ar­thur Sea­ton, a fac­to­ry work­er with a re­bel­lious streak. By day, Ar­thur la­bors in a dre­a­ry fac­to­ry; by night, he im­mer­ses hims­elf in pub cul­tu­re and casu­al af­fairs, dri­ven by his motto, "If it's going, it's for me." His weekends are a cycle of see­king plea­su­re and de­fy­ing so­cie­tal norms, par­ti­cu­lar­ly on Sa­tur­day nights. Howe­ver, Sun­day mor­nings bring a harsh rea­li­ty, for­cing Ar­thur to con­front the emp­ti­ness and con­se­quen­ces of his he­do­ni­stic life­style. As he faces the re­per­cus­sions, Ar­thur risks be­co­ming ens­na­red by the very life he sought to es­cape.

Text: Good Reads
Image: Ama­zon


Alan Sil­li­toe

Alan Sil­li­toe (March 4, 1928 – April 25, 2010) was a key fi­gu­re among the Angry Young Men, known for his raw de­pic­tions of working-​class life in post-​WWII Bri­tain. Born in Not­ting­ham to a tan­nery work­er, Sil­li­toe star­ted work­ing in fac­to­ries at 14 and later ser­ved in the air force. After con­trac­ting tu­ber­cu­lo­sis and spen­ding time in a hos­pi­tal, he lived in France and Spain, where poet Ro­bert Gra­ves en­cou­ra­ged him to write about Not­ting­ham. This led to his ac­clai­med debut novel, Sa­tur­day Night and Sun­day Mor­ning (1958). Sil­li­toe also wrote child­ren’s books, poe­try, plays, and an au­to­bio­gra­phy, Life Wit­hout Ar­mour (1995).

Text: Wi­ki­pe­dia
Image: Wi­ki­pe­dia


Bloomsbu­ry Girls (2022)

In the post-​war Lon­don set­ting of Bloomsbu­ry Books, a century-​old books­to­re, three women na­vi­ga­te a ra­pid­ly chan­ging world. Vi­vi­en Lowry, grie­ving her WWII-​deceased fiancé, strug­gles with grie­van­ces, in­clu­ding Alec Mc­Do­nough, the Head of Fic­tion. Grace Per­kins, sup­por­ting her fa­mi­ly after her hus­band's break­down, is torn bet­ween fa­mi­ly duty and per­so­nal dreams. Evie Stone, a pionee­ring Cam­bridge gra­dua­te de­nied an aca­de­mic role, seeks to res­ha­pe her fu­ture while work­ing at the books­to­re. As they in­ter­act with no­ta­ble li­te­r­a­ry fi­gu­res like Daph­ne Du Mau­rier and Sa­mu­el Be­ckett, their in­tert­wi­ned sto­ries re­flect their quest for ful­fill­ment in a trans­forming so­cie­ty.

Text: Good Reads
Image: Ama­zon


Na­ta­lie Jen­ner 

Na­ta­lie Jen­ner is a USA Today and #1 na­tio­nal­ly best­sel­ling au­thor known for The Jane Aus­ten So­cie­ty and Bloomsbu­ry Girls, both re­co­gni­zed as Ama­zon Best Books of the Month, Indie Next Picks, and People Ma­ga­zi­ne Books of the Week. The Jane Aus­ten So­cie­ty was a runner-​up for Best His­to­ri­cal Fic­tion in the 2020 Goo­dreads Choice Awards and has been trans­la­ted into over twen­ty lan­guages. Na­ta­lie's third novel, Every Time We Say Good­bye, re­leases on May 14, 2024. Born in Eng­land and rai­sed in Ca­na­da, Na­ta­lie has been a cor­po­ra­te la­wy­er and ca­reer coach and once owned a books­to­re in Oak­ville, On­ta­rio, where she now lives with her fa­mi­ly and two res­cue dogs.

Text: Good Reads
Image: Na­ta­lie­Jen­ner.com


Hurry on Down (1953)

In John Wain's clas­sic novel, the prot­ago­nist Charles Lum­ley is a young man just out of uni­ver­si­ty, grap­pling with his fu­ture. Fee­ling trap­ped by his bour­geois up­brin­ging, Charles seeks free­dom through a pi­ca­res­que and co­me­dic jour­ney across 1950s Eng­land. As he takes on a se­ries of eclec­tic jobs—from win­dow clea­ner to night­club boun­cer to drug traf­fi­cker—he ex­pe­ri­en­ces a range of hu­mo­rous mis­ad­ven­tures. Throug­hout his es­capa­des, Charles aims to dis­co­ver his true self and win the af­fec­tion of the cap­ti­vating Ve­ro­ni­ca Ro­de­rick. His jour­ney is a blend of self-​discovery and ro­mance, set against the back­drop of a chan­ging Eng­land.

Text: Valan­court Books
Image: Valan­court Books


John Wain

John Bar­ring­ton Wain was an Eng­lish poet, no­ve­list, and cri­tic, no­tab­ly lin­ked to "The Mo­vement" li­te­r­a­ry group. Born in Stoke-​on-Trent, Staf­ford­shire, he stu­di­ed at St. John's Col­lege, Ox­ford, where he ear­ned a first in his BA in 1946 and an MA in 1950. Wain’s ca­reer in­clu­ded free­lan­ce jour­na­lism, wri­ting, and re­viewing for va­rious news­pa­pers and radio. His debut novel, Hurry on Down, pu­blished in 1953, ex­plo­res the­mes of self-​discovery and so­cie­tal ex­pec­ta­ti­ons. Wain’s per­so­nal life saw him marry Ma­ri­an­ne Uf­fen­hei­mer in 1947, fol­lo­wed by Ei­ri­an Mary James in 1960, and Pa­tri­cia Adams in 1989. He pas­sed away in Ox­ford on May 24, 1994.

Text: Good Reads
Image: Good Reads